What is a writing competition? A writing competitition (or contest) is an event that you enter with a piece of your own writing. The prize is usually money, but sometimes it is just the pride of being chosen as winner. The winning piece will usually get published somewhere. Sometimes there’s an entry fee, and sometimes the competition is directed towards something – some publishers or magazines run competitions for the first chapter of a story, or a book proposal. However, there are a very wide variety of competitions – from poetry inspired by Shakespeare, to themed short stories, to flash fiction, to novel extracts. What are the pros and cons of writing competitions? Pros: Winning gets you fame and fortune! You get noticed, get money (or other prizes), and you can put the win on your writing CV. A deadline and word count are often good motivators to write. You’re often in with a chance to be published. The competitive element can be inspirational; you’ve got to be good to win! It’s an immediate satisfaction – or at least, better than six months of silence from an agent or publisher. There’s a wide variety of competitions to suit all levels of experience. You can write what you want, in your style – although if you want a theme, there are competitions with prompts and themes. Cons: You don’t get paid unless you win. You often have to pay to enter. Not all writers like the competition element, or see winning as a worthwhile prize. The lack of a theme or direction (as opposed to submission calls) can be off-putting. You don’t get feedback, so it can be hard to know why your work didn’t win or how close it did get to winning. Why do I have to pay to… read more →
Anything over a short story (so over 10,000 words) ideally needs chapters. They break the story up, provide helpful stopping-points, and allow the reader to skim the front page to get a feel for where the story’s going – and pick up where they left off, if needed. It’s also a good way for the reader to get a feel for how long they’ve got left in the book – especially for anyone reading on an e-reader, who can’t just check how thick it is! But that doesn’t make chapters all that easy! How long should they be? Where should you split things? Numbers or name? How long? Ideally, you want to make your chapters all roughly consistent. For example, I write novellas and make mine 3000-4000 words long. For novels, somewhere around 6000-8000 words is good: if you make one suddenly shorter it jarrs the readers, and makes them think they’ve missed something. However…learn the rules then break ‘em. You can get some very good effects with short chapters, particularly if you’ve got something dramatic happening. imagine if you suddenly switched back to one character, only to have a dramatic murder – and then that’s it, you’ve switched away again! Frustrating, yes, but I’d keep reading to find out what happens. You don’t need chapters? The standard response to this is either “well, duh!” or “really?!” No, you don’t have to use chapters! However, good idea to break it into sections, at least….and chapters are helpful and expected. They make nice chunks of text, and the titles act as signposts to tell the reader what’s happening, let them return to it from the front page if they lose their place. On which note… What to title chapters? You’ve got a couple of options: Plain: Chapter 1, Chapter 2, etc. This doesn’t… read more →
I was asked recently how to make characters more individual; how to make them unique, colourful and distinctive. How do you get the different quirks of humans into a piece of writing? Major characters Sometimes it feels as if you could have robots as your main characters and it wouldn’t make a bit of difference. They all speak and act in the same way, and you could replace them without anyone batting an eyelid. How can you make them individual? List six character traits for each of your major characters, and use these when you’re writing. How would these traits affect their reactions to events? How would they speak? How would they react to other characters? It works particularly well if you’ve got two traits that play off each other; what would happen if you get two stubborn and angry characters disagreeing with each other? Think about their background. Where have they come from? What happened to them? What adventures have they had? What events have made them who they are? List three priorities for that character at various points during the plot. While at the start, their First Priority might be getting back to their family, as time goes on Priority Two: Saving The World may come to the fore, or occasionally be superseded by Priority Three: Get A Good Night’s Sleep. At each plot point, think about what that character’s priority is likely to be at that point, and how it would affect their actions. Even minor priorities get quite big at certain points – if you’ve ever been wet and tired, getting to shelter or sleep is usually more important at that point than whatever your day’s aim was. Minor characters Cardboard cut-outs in the background. How to give these walk-on parts some personality? Give minor characters… read more →
You should write every day. Learn the rules then break them. Variety is the spice of life and you’ll get stuck if you only have one project. You need a routine. Write whenever you feel like it! Write one thing at a time and make sure you finish it. Do 500 words a day and never end on a preposition. There’s so much writing advice out there that it sometimes feels overwhelming. I spent my first ten years as a writer feeling that I was Doing It Wrong. I don’t write every day, or write X number of words. I don’t really plot. I don’t have a routine. I just write as I want to, rather than analysing the language and trying to develop a feel for my themes. I don’t follow genre rules, I play fast and loose with my characters, and I don’t worldbuild before I write. I felt inadequate, amateur, and frankly as if all of my writing failings were stemming from my inability to follow several hundred pieces of contradictory advice. You know what? Screw it. It’s YOUR talent. Try things. See what works. People work in different ways – what works for someone else, even if they’re a best-selling and world-famous author, might not work for you. Experiment. Find your groove and make it work for you. If something isn’t working – if you’re not writing, not finding the time, haven’t got the inspiration, have an idea but don’t finish it, can’t get over that blank page feeling – then that’s the time to be looking at the advice. See if working for an hour in the morning makes you write. See if a routine helps. See if having six simultaneous pieces and working on each of them in turn means you Get Writing Done.… read more →
There’s a lot of things that can stop you writing. Sometimes it’s real life, which can’t usually be helped; if the dog wants your laptop as a toy and your screen’s now decorated with bite marks, that does put a crimp in your ability to type. But sometimes the show-stoppers are either in your head, or in your writing. Here’s five more things that might be stopping your story in its tracks, and some suggestions to overcome them. I’ve got a blank page… You don’t know how to start. You don’t know what the first line should be. You don’t even know if the idea’s worth writing. Flash fiction! Write a story in six words. A hundred words. Three hundred words. Write a paragraph about an image, something you spotted in the street, the eighth line from the book nearest you. Prompts – as a starting point, try Reddit’s r/writingprompts. There’s a whole archive of them, even if you don’t want to put anything on the site. Start in the middle. Write that one scene that set the idea off; write that one snippet of conversation; tell us something about your character. Write the fifth chapter. Write the ending. Get something on the page and then go back to the beginning. My plot is wonky Distill it down to the basics: Get Ring, Take Ring To Mordor, Save The World. You can then expand a little – how are they doing all of those things? What’s stopping them, what’s helping them, what’s the outcome? This can sometimes help to focus on what the actual problem is, and shows where the holes are. Get an outside perspective. It often really helps to get someone else’s ideas; they’ll come up with things you haven’t even considered, and even if you don’t use… read more →
Or, why the bad guy doesn’t think he’s bad. [NB. I’m using “he”, but please take this as non-gender and -species specific; Evil Masterminds of Doom can be anyone or anything, after all.] So, your villain. He wants to Take Over The World, Kill Everyone, Create An Army of The Undead, or *insert plot here*. Ok, that’s great! Gives the hero something to fight against. But he wants to do all that simply because…he’s Evil? Really? That’s it? There are no true Bad Guys If history has shown anything, it’s that the bad guys don’t think they’re bad. The only difference between The Evil Dictator Who Destroyed The World and The Benevolent Ruler Who Brought Us Peace is what stories get told and what people believe. There’s always motivations and drivers behind the worst of actions; we might judge them as insane or warped, but very few things are ever done on a whim. What’s their background? Real motivations make for exceptionally awesome villains. Yes, you can have base motives – revenge, or lust, or desire for power – but give them some background. Why do they hate big-footed dwarves so much? How did they get hold of the technology to create sharks with frickin’ lasers on their heads? Why do their minions trust them? And didn’t someone notice that Maniacal Laugh sooner? Tie into the bigger world The idea of rationality behind evil feeds into worldbuilding, too. Where’s the money coming from to buy all those Mechanised Soldiers Of Doom? Is the Super Baddy actually a good enough leader to keep hold of power once he’s gained it? What do you do to stop the Undead Hordes from getting bored once you’ve conquered wherever it is? And if you Kill All Humans, won’t it get a bit boring around… read more →
When you send a submission, different publishers ask for different things. However, it will usually be at least the first 10,000 words, which should be your first 3-5 chapters. This is what the editor will read and what they will use to decide if your book is any good, and then decide if they want to read the rest of it. And it’s not just the editor; later on, the reader will do exactly the same thing. Ever flicked through the first chapter in a bookshop or read it on Amazon? What made you want to continue and buy the book? What made you put it down and move on? It’d be your impression from the first chapter or two. Basically, the start of your book is pretty freakin’ important for giving a first impression. Have a think about the first five chapters of your book. Have a think about any critique you’ve received. And if you’ve ever uttered any of these phrases or you think they might apply to you, please take a long, hard look at your work… “It gets better later…” I can and will stop reading. If you haven’t hooked my attention in the first five chapters, then you’ve lost me. The same goes with the longer view; if you don’t grab me with the first book, why am I going to read until Book 5 of your series when the ‘real’ action starts? You need to get me interested now. “This is just the prologue…” So why are you starting here? Start with the action! Start with the story! Tell me the parts you find fascinating! When you become a millionaire best-seller you can always do a “pre-story” novel or novella or something, but for now – get to the interesting bits. “Oh, you’ve got… read more →
There’s a lot of things that can stop you writing. Sometimes it’s real life, which can’t usually be helped; if the cat decides to spill a glass of water on your laptop, that does put a crimp in your ability to type. But sometimes the show-stoppers are either in your head, or in your writing. Here’s five things that your head might be telling you, and some suggestions to overcome them. I’m not good enough. That brilliant writer that you want to be like? The one with best-selling novels? Or even just the last piece you read on Tumblr, the snippet of something on Facebook? You’re thinking that you’re not as good as them, you can’t do it, what’s the point of trying… Stop for a moment, and consider how long they’ve likely been writing. How long have they had to practise, and to hone their craft? Writing is a skill like any other; it can be learned and it can be improved. How many drafts and tears and moments of doubt has that best-selling novel gone through? How many edits and revisions? You aren’t that good. Not yet. But you won’t ever be that good unless you start practising. Try. Experiment. Play. And practise, practise, practise. Everyone’s going to hate it Ugh, the invisible audience. I think this is possibly the voice that I hate most; the feeling that whatever you do, someone is going to criticise – and it’s usually yourself! I’ve got a couple of ways round this. Write for yourself. Yell back at the voices; pretend no-one else will ever see it, that it’s only for you. Or, if you’re the most critical, write for a friend who’ll forgive the errors and just wants to read your story. Things like #2BitTues and #1LineWed on Twitter; they’re… read more →
So, for the second post on “giving your writing to the outside world“, we’re looking at how to take feedback. Feedback is one of the most important parts of writing, and one of the hardest things to find and to accept. Your work is personal; it’s your talent, your soul, that goes into something…and then to hand it over to someone else and ask them to point out the flaws? Eeek! But you can’t write in a vacuum; you need other points of view. Your work is better for having outside opinions, and your writing will improve. If nothing else, you need readers – your work is going to be read at some point! It’s better to have the comments while you’re still able to change things than after it’s been published and you see the comments on Amazon… So, some things to remember when you’re looking through feedback: Not every reader is right for you and your work Some people don’t like a certain genre or style; some people simply don’t give the kind of feedback you need; and some people unfortunately see “critique” as “criticism”, and therefore tend to be very negative. It’s ok to pick and choose who reads your work. Be specific about what you want If you only want to know about the plot, let your reader know. If you’re planning on re-writing huge sections, say. If you consider the writing finished and just want a proofread, tell them. You’ll get more out of it, and you’ll avoid frustrating your reader when they’re reading something you’ve already planning on changing, or definitely don’t want to change. They are not attacking you! They are trying to improve your work. Critique is a learning experience, and is aiming to tell you both what you’re doing well and what… read more →
For the next two posts in this series, we’re going to have a look at how the outside world reacts to your writing – and, more importantly, how you react to that. There’s two parts; this one is focusing on taking rejection, and the second will focus on how to take critique and feedback. So, you’ve written something. It’s awesome! Now you want to get it out into the world. So, you submit it to a writing competition, an agent, a publisher, an anthology… And it gets rejected. Let’s face it, this frickin’ sucks. You wrote something amazing, and they hate it? Nooooo! So what’s the best way to deal with it? Everyone gets rejected The most famous writers have stories of the piles of rejection letters they’ve received, and I suspect that every single publishing house has rejected someone who’s later gone on to be famous. You’re not alone. It’s ok to feel bad Grab some ice cream and have an evening off to wallow. You work’s awful and everyone hates it! They just didn’t understand it! You’ll never get published! And then get back up, and get on with it. Rejections suck, but even best-selling authors get them. Have a pity party, and then dust yourself off and keep going. Treat it as a learning experience Take a long, hard look at your work. Was it simply that the publisher didn’t think it fitted, or could you actually have submitted something better? What needs improvement? If they’ve given you feedback, take time to consider it. But… Don’t argue It’s really hard to fight the urge to defend your work, particularly if you’ve been given feedback, but it really doesn’t help! If your work has been rejected, there is nothing you can say that will change the reviewer’s mind. Take the… read more →