Which apps are best for creative writing? Writing is an essential skill, but it can be tough. When it comes to creative writing, there are many tools and apps available today that can help you create compelling content and improve your writing. But what’s really out there and which is the best for you? We’ve put together a list of some of the most popular apps for creative writers. From outlining to editing and everything in between, these apps can help you improve your writing skills, make your work process a lot more efficient, and transform you into a fantastic writer. So if you’re looking to be more productive and organized in your writing, keep reading. ProWritingAid (Mac, Windows) ProWritingAid is a great option for writers of all levels. It is more affordable and the best alternative to Grammarly. It offers a variety of features that are tailored specifically for creative writers, such as revision tracking, word count estimation, and detailed analysis of a writer’s strengths and weaknesses. The app also has a “learn mode” that helps novice writers improve their vocabulary and grammar skills incrementally. Plus, it’s easy to use and can be accessed on any device and the customer support team is available 24/7 to help you get the most out of the app. Key benefits of ProWritingAid: detailed feedback on your grammar and spelling, which can help you to iron out any mistakes and improve your writing style a range of helpful exercises to help you improve your writing skills, and it is perfect for both beginners and experienced writers a wide variety of resources, including tips on how to write essays, articles, business letters, and more an integrated plagiarism checker ensures your work is free of plagiarism Learn more about ProWritingAid on their website. Sudowrite (Web)… read more →
When people are looking for new books to explore, there are three elements that get their attention: The cover The text at the back of the cover The introduction You’ll think about the first two elements after you write the book. The introduction, however, has no time to wait. All great books start with greatness. Do you remember the first sentence of Anna Karenina? “Happy families are all alike; every unhappy family is unhappy in its own way.” After reading that first sentence and the entire introduction, you just know that something extraordinary will follow. You know it’s more than just another love story. How do you get there? How do you craft the perfect introduction to hook the reader? We have few tips to offer. 1. Don’t Skip the It Your first chapter may be the introduction. May writers do that. Tolstoy did it. Does that mean you should do it? Not necessarily. An introduction is where you make the case. You tell the readers what this book is about and you explain why it’s an important book to read. It’s what convinces the readers your book has value. Do you know how George R.R. Martin started A Game of Thrones? With a prologue. The author gets straight into the story, but this feels like an introduction we definitely need for the complex plot that follows. 2. Find the Hook Your first sentence is a hook. When a book’s cover gets someone’s attention in the store, they will skip through the text on the back of the cover. Most people will then get to the first page of the introduction. They will read the first sentence. Will it make them pick up the book? Let’s check out an example: Please Look After Mom by Kyung-sook Shin. This is how… read more →
You’ve written a book, and it’s the best thing ever! So, now you want people to read it. How do you get it to them? In our current publishing world, there’s three major options. You can contact a traditional big publisher, who – if everything goes well – will buy the rights to your book, edit it, put a cover on it, market it and send you money when it sells. You can contact a smaller independent (indie) press, who have the flexibility to take chances on unusual work, and who are more likely to involve you in the details of publishing – but who don’t have the same marketing reach as the big publishers, and won’t sell quite as many as the big traditionals. Avoid anyone who asks you for money to publish (known as ‘vanity press’) with the promise of royalties in the future – it’s very likely that you’ll pay a lot and not get nearly as much back. A publisher should always cover things like editing and cover art for you, even if that means your royalty share is smaller. Or you can self-publish. This means you’re the one responsible for everything – editing, cover art, formatting, releasing, marketing, selling – so you’re putting the book out under your name, and you keep the profits from it. You can sub some of the work out (eg. hire a proofreader, purchase cover-art) but it’s down to you to sell your book to the world. And the great thing is that there are plenty of ways to do that! In this article, we’re going to briefly cover some alternative methods of getting your writing out there to your readers. While we tend to think of self-publishing as being a hard copy or ebook version of a book, that’s… read more →
What is Self-Publishing? You’ve written a book, and it’s the best thing ever! So, now you want people to read it. How do you get it to them? In our current publishing world, there’s three major options. You can contact a traditional big publisher, who – if everything goes well – will buy the rights to your book, edit it, put a cover on it, market it and send you money when it sells. You can contact a smaller independent (indie) press, who have the flexibility to take chances on unusual work, and who are more likely to involve you in the details of publishing – but who don’t have the same marketing reach as the big publishers, and won’t sell quite as many as the big traditionals. Avoid anyone who asks you for money to publish (known as ‘vanity press’) with the promise of royalties in the future – it’s very likely that you’ll pay a lot and not get nearly as much back. A publisher should always cover things like editing and cover art for you, even if that means your royalty share is smaller. Or you can self-publish. This means you’re the one responsible for everything – editing, cover art, formatting, releasing, marketing, selling – so you’re putting the book out under your name, and you keep the profits from it. You can sub some of the work out (eg. hire a proofreader, purchase cover-art) but it’s down to you to sell your book to the world. And the great thing is that there are plenty of ways to do that! Over the next couple of articles, we’re going to look at options for printing, ebook and online self-publishing. But first…. Things to think about if you’re considering self-publishing Have you written the best book that you… read more →
When you send a submission, different publishers ask for different things. However, it will usually be at least the first 10,000 words, which should be your first 3-5 chapters. This is what the editor will read and what they will use to decide if your book is any good, and then decide if they want to read the rest of it. And it’s not just the editor; later on, the reader will do exactly the same thing. Ever flicked through the first chapter in a bookshop or read it on Amazon? What made you want to continue and buy the book? What made you put it down and move on? It’d be your impression from the first chapter or two. Basically, the start of your book is pretty freakin’ important for giving a first impression. Have a think about the first five chapters of your book. Have a think about any critique you’ve received. And if you’ve ever uttered any of these phrases or you think they might apply to you, please take a long, hard look at your work… “It gets better later…” I can and will stop reading. If you haven’t hooked my attention in the first five chapters, then you’ve lost me. The same goes with the longer view; if you don’t grab me with the first book, why am I going to read until Book 5 of your series when the ‘real’ action starts? You need to get me interested now. “This is just the prologue…” So why are you starting here? Start with the action! Start with the story! Tell me the parts you find fascinating! When you become a millionaire best-seller you can always do a “pre-story” novel or novella or something, but for now – get to the interesting bits. “Oh, you’ve got… read more →
I’ll start with a disclaimer and some credentials; I’m involved in the submissions and editing process for Grimbold Books, my publisher. It’s a small indie press, which in many ways is wonderful – anyone involved get to do a bit of everything! But it’s really made me realise that when I first started submitting writing to publishers, I had absolutely no idea of the process that goes on once your writing has hit the submissions inbox. Surely they just…read it? And then publish it? Well, yes…sort of. But it’s a bit more complicated than that. So, before you do any of this, go and read 5 Questions to Ask Before Submitting a Short Story. It applies to novels, too! Stage 1: Submission Read the subs guidelines! I know they’re annoying and it’s a pain to have to format (I submit too, so I have a lot of sympathy for the never-ending task of re-formatting things) but it really does make reading easier. And on the same note, please send the amount asked. If the guidelines wants 10,000 words, a little under or over is fine…but don’t send your entire manuscript. Having a synopsis is nice; it gives us some idea of how the story unfolds. We often won’t have time to read the entire thing, so the first 30 pages and a synopsis is excellent. Tell us something about you; you don’t have to seem quirky, but just some insight into who you are is nice. However, your work will speak for itself, so if (like me) you’re fairly self-conscious when it comes to showing off, you won’t miss out by not giving a huge bio. And lastly (again) – read the guidelines! You want to make the publisher’s job as easy as possible – and that means sending what… read more →
